Abstract:
This research focuses on the artistic decoration of floral and avian motifs on Gu Cai porcelain from Jingdezhen, employing historical analysis and field studies to examine its evolution from the Qing Dynasty to the present. It also investigates the inheritance and
development of this art form within the context of art institutions. The primary objectives include analyzing the stylistic evolution of floral and avian decorations on Gu Cai porcelain, assessing its transmission and development in art institutions, and proposing strategies for its preservation and dissemination through curriculum reform, the master-apprentice inheritance system, and the development of specialized training programs in art universities. The findings reveal that this art form flourished during the Qing Dynasty but experienced a decline during the Republic of China period due to economic and social factors. However, in the contemporary era, it has been revitalized through creative design innovations and modern technology, with art institutions playing a crucial role in its conservation and advancement. Despite their significance, these institutions face challenges such as a lack
of structured curricula and ineffective pedagogical approaches for sustaining artistic transmission. To address these issues, this study proposes curriculum enhancements that integrate traditional Gu Cai techniques with contemporary digital advancements, fostering a pedagogical approach aligned with current artistic trends. Additionally, it recommends reinforcing the master-apprentice model and establishing specialized training programs to cultivate deep expertise and ensure sustainable artistic preservation. This research contributes to a deeper understanding of the historical, technical, and pedagogical aspects of Gu Cai floral and avian decorations. Furthermore, it promotes the preservation and dissemination of this artistic heritage within a modern context, ensuring its continued evolution and sustainable development in the future.